This sculptural project centers on human forms constructed from obsolete machinery, reclaimed metal, and discarded technological fragments. By merging the body with industrial remains, the work examines the relationship between organic life and the machines we build to extend, regulate, and define it. I am interested in how quickly these systems become outdated, leaving behind mechanical remains that mirror our own cycles of use, decay, and replacement. Through these hybrid figures, the work reflects on industrialization, mechanized life, and the uneasy space where the human body and obsolete technology meet.